supported by 8 fans who also own “Rewarded With Extinction (Instrumental)”
where the first HG album felt like a spiritual successor to Necrophagist, I feel that TCoS is TRUE prog tech death, from the melodic clean vox down to the myriad of electric notes. Any time, any day, pop it on, I’m gonna hear it through Lovdahl, Ian
supported by 8 fans who also own “Rewarded With Extinction (Instrumental)”
I'm a big fan of The Faceless middle two albums and when I saw Lyle Cooper was on this album I knew I needed to check it out. I bought the discography almost instantly, reminds me a little of The Faceless and a bit more of Fallujah who I also adore. Well worth the money, Support these great Musicians! dragonslayer8228
supported by 7 fans who also own “Rewarded With Extinction (Instrumental)”
Short and sweet, this album begins with a Mike Tyson-style jab to the gut and moves down a few inches, ending up with repeated uppercuts to the perineum. Pure fucking shredding genius from soup to nuts.
That part at the end of "Thanatos"? Where the guitar is like "wee-wee, widdley widdley wee wee woo weeeeeee"? It makes my weiner hard. Just brutal af.
Also, ending the album with Thanatos is just... *Chef's kiss*. Death is the perfect end to a joiner the likes of which this album takes you on Blxculx